Canadian Architect Frank Gehry loved to sketch. “Beginning with his own original sketches for each major project, the film explores Gehry’s process of turning these abstract drawings, first into tangible, three-dimensional models, often made simply of cardboard and scotch tape, then into finished buildings of titanium and glass, concrete and steel, wood and stone. The dialogue between Pollack and Gehry, … “courses like a continuous melodic line through the film”. – Criterion Pictures
